(Published in Africa is A Country; March 29, 2018)
In mid-February 2018, rapper Nipsey Hussle released his first studio album, Victory Lap, a paean to his complicated relationship with Los Angeles gang life. While making the rounds on American hip hop radio stations and podcasts, if he wasn’t breaking down gang codes or marketing his various businesses, Nipsey kept returning to his roots beyond his South Central, Los Angeles neighborhood: that of his Eritrean immigrant background.
Ermias Asghedom’s father had fled the ongoing war and settled in US. By celebrating his father’s background (his mother is African-American), Nipsey was partly reflecting what Boima Tucker described elsewhere on this site as “a resurgence of an unbridled enthusiasm for Africa in black America.” In recent times, American artists of African immigrant background have openly made connections to their parents’ homelands public and explicit. Issa Rae has done so on television, Lupita Nyong’o, Danai Gurira and Daniel Kaluuya on film and Wale and French Montana have done so in music. The comedian Tiffany Haddish, another LA native, also has recently foregrounded her Eritrean background. Haddish recently traveled to Eritrea then wore a traditional outfit to the The Oscars. It is obvious that Haddish’s new found connection to Eritrea, has added to her confidence as a public figure. This is in contrast to a generation ago when the children of African immigrants to the US downplayed their family connections in fear of attracting ridicule.
In 2004, when he turned 18, Nipsey traveled with his father and brother, Samiel “Black Sam” Asghedom, to Asmara, the Eritrean capital and stayed three months. This trip would have a profound influence on him. Beyond just a celebration of his African heritage, it would become part of his personal mythology. It appears as inspiration for his brand of capitalism.