(Published in Sabotage Reviews Nov. 21, 2016)
The collection portrays the “orgasm of crime”, following themes of shattered dreams; the bond between a father behind barbed wire and his waiting family; the atrophied and docile body; and mechanisms of torture and fear. The poet, “translator of pain and humiliation”, graphically portrays physical torture and psychological torment in which victims are “skinned alive” to confess to crimes they never committed. The long, mostly unpunctuated poems are loud cries of abuses and read as hallucinatory notes. Ultimately, the form becomes the message: these poems embody bold defiance against injustice.
The poems written in prison or immediately after Laâbi’s release do not fall into conventional sound rhymes or meters: he expresses collective maltreatment through free verse, capturing the suffering that he describes as “inferno of solitude”. The poem ‘Letter to My Friends Overseas’ explains why he might deflect traditional poetic forms: Click here to read more.